The Fritt Ord Foundation Prize for 2025 goes to satirical artists May Linn Clement, Marvin Halleraker and Morten Mørland
The Fritt Ord Foundation Prize for 2025 is awarded to three representatives of Norwegian satirical art for challenging public opinion by standing up to power and for their biting humour: May Linn Clement, Marvin Halleraker and Morten Mørland.
Satirical drawing has laid bare the foibles of power and played a key role throughout the history of modern democracy. Falling between art and journalism, newspaper cartoons inform, entertain and influence the general public.
The Fritt Ord Foundation Prize goes to three eminent newspaper artists who collectively represent diversity and quality in Norwegian satirical drawing: May Linn Clement, Marvin Halleraker and Morten Mørland.
“This year marks 20 years since the caricature controversy, when cartoon drawings of the Prophet Muhammed led to violence and murders in several places around the world, and 10 years have passed since the terrorist attack on the Charlie Hebdo editorial board.
Given the volatility of the news these days, satirical art draws attention to the weaknesses of autocrats, meaning that drawings are being censored and artists persecuted", comments Grete Brochmann, chair of the Fritt Ord Board.
Satirical drawing helps shape a country’s collective identity, while also presenting a skewed glance at the values of its society. Satire challenges authority, promoting discussions and criticism of present-day individuals and phenomena. As a form of expression, satire exposes the abuse of power, double standards and hypocrisy in a biting and frequently humorous manner. It represents an approach that appeals more directly to the emotions, a genre that has developed by interacting with professional, rational and textual approaches.
Satirical drawing is under pressure from several quarters. In the modern media landscape, the genre is jeopardised by poor financial returns, making it an easy target when newspaper budgets are cut. At the same time, there are many examples of controversial, on-point drawings that engender such strong reactions that editors and newspaper owners refuse the drawings and fire the artists. The fear of insulting or offending authorities, minorities or the newspapers’ readers does not diminish in times of war and unrest. In a global world, images and drawings are communicated across national frontiers in seconds, and they may potentially have explosive, violent effects in a different context.
“Satire is provocative and can generate debate, but also it is also reflective, offering food for thought. The genre reflects a microcosm of the challenges facing freedom of expression. That makes it especially valuable and worthy of preservation in times of political uncertainty and unrest”, according to Chair of the Board Grete Brochmann.
The prize will be awarded in Oslo on Tuesday, 20 May 2025.
