What's happening in Georgia? Art, documentary film and the fight for democracy

September 22 2025

Monday 29 September 2025 at 6.30–8 pm at Vega Scene, Oslo

“While art is often relegated to the bottom of financial priorities, it paradoxically becomes the first target of dictators.”

Fritt Ord invites you to a presentation of a hyper-relevant, upcoming documentary film “Untitled” from Georgia and a conversation with two film directors about the political developments in the country in collaboration with Oslo Dokumentarkino, Stray Dogs Norway, Viken Filmsenter and the Norwegian Film Federation. Journalist Ingerid Salvesen is the moderator. For the safety of the filmmakers, we will not mention their names in advance.

Since Russia’s full-scale invasion of Ukraine in 2022, Georgian authorities – increasingly aligned with the Kremlin’s rule – have turned their attention inward by attacking their own cultural sector. Documentary filmmakers were among the first to be targeted, accused by government officials and pro-state media of “showing Georgia in a bad light”.

Still from the documentary

What is happening to Georgian filmmakers is not an isolated crisis – it is part of a growing global assault on democracy and freedom of expression. Georgia is part of a larger pattern, for example, the “foreign agent” law has sought to destroy independent media in Russia, filmmakers have been arrested and forced into exile in Belarus, and attempts are being made to control cultural institutions with state ideology in Hungary.

The autocratic “playbook” is increasingly being used to control the narrative, silence dissent, and isolate people who speak the truth.

Georgian filmmakers rallied against political developments as early as 2023, and together with artists, journalists, students, and other citizens, they have continued to protest, organize, and create even under surveillance, smear campaigns, and threats.

At Vega Scene, we engage in dialogue with Georgian filmmakers about their struggle for freedom of expression and artistic independence today, and further ask how we should address such developments in close partners.

“Untitled” was pitched as part of the “Spotlighted Projects” program at the Cannes Film Festival this year. The film is about the Georgians’ struggle for democracy, and it is based on four personal diaries that provide different perspectives on the protests – political, social and human – under a common theme: resistance.

Still from the documentary

News

Mykhailo Tkach

Ukrainian, Georgian, Armenian, Russian and Belarusian journalists and media to receive five Free Media Awards for 2026

September 3 2026

This year’s prize laureates for the Free Media Awards from the Fritt Ord Foundation and Zeit Stiftung Bucerius are:
The investigative journalist Mykhailo Tkach from Ukraine
The investigative media outlet iFact from Georgia
The online media Factor TV from Armenia
The online media Verstka from Russia (in exile)
The journalist and media director Andrei Aliaksandrau from Belarus (imprisoned)

Fritt Ord's grants for master’s degrees

August 30 2026

Is your master’s project about freedom of expression, social debate or journalism? If so, you can apply for a student grant from the Fritt Ord Foundation.

The Freedom of Expression Foundation Tribute 2026

August 18 2026

The rap duo Karpe has been awarded the Freedom of Expression Foundation Tribute for giving voice to the experiences of many young people from minority backgrounds. Through the language of rap, they are expanding the space for the expression of identity and belonging.

The 2025/26 Monitor survey

June 17 2026

The Fritt Ord Foundation and the Institute for Social Research (ISF) invite you to the launch of a report and a subsequent discussion on Monday, 8 June 2026, from 9.00 to 11.00 am, at Fritt Ord’s premises at Uranienborgveien 2 in Oslo.

Where do people draw the line when it comes to freedom of expression, and what do they believe to be the greatest threats to an informed debate at a time characterised by unrest, crises and international conflicts? Do they feel there is sufficient diversity of opinion and enough room for divergent viewpoints? And how do people assess access to truthful and relevant information in a media landscape featuring new formats, new voices and artificial intelligence?